Wednesday, April 20, 2011

which digital camera of sony should I buy ?

which digital camera of sony should I buy ?

can you tell me which model of Sony is best, if I consider excellent picture & movie quality.
price range is $ 250 – $ 350.
your help is appreciated.

Thanks
Sunil.

Answer by troytitans14
I got the Sony DCR-TVR280 it has fantastic quality being that it runs on Hi-8 tape, the battery life is also brilliant.

Answer by kaylee
Sony Cybershot DSC-T200.

8.1 Megapixels, 3.5 wide screen.

I own it and I like it.
the touchscreen is so simple and the screen is so bright.

the price just dropped by about 100 because of the bring up to date that came out. 10.1 megapixels.

Answer by Matt
none sony makes their stuff cheap.
get a canon or a nikon if you want quality

What do you reckon? Answer below!

toy ISO1600 EOS7D
sony digital camera best buy

Image by bluemonkey.
EOS7D is a much better camera than the 5D2 , I reckon I made a huge mistake choosing the 5D2 as my main body , if I did not need a TSE or a Sigma 12-24 , then I would keep my 7d instead.

But the TSE 24f3.5 was no longer a real TSE lens on a crop body so I had to keep my 5D2.

Though , if my reason to get a full frame over the 7D was supposedly a bit better high ISO noise , I am sure I would be really disappointed with my pronouncement………..

There is no full frame noise advantage , supposed to be a stop better full frame noise perfomance is a huge lie or at least myth.

Considering the DOF difference of full frame to crop , with a full frame to get similar DOF , we need to stop it down futher , thus, we have to choose a stop or 2 stops high ISO value to get the same shutter speed , so unless we are shooting on a tripod or wide open , there is no fullframe noise advantage………….

In fact , in handheld , deep DOF photography , the crop has the edge over the FF , produce the current best high ISO full frame namely the D3s has just 1/2 stop better high ISO noise routine than the current best crop the 7D or the D90 , and the D3 given its extremely shallow DOF and pixel density , it must be stopped down 1.5 stops more to get the same DOF as with the D90 , so unless we equate ISO12800 of the D3s to ISO3200 or 2500 of the D90 or the 7D , it is not honest , not showing any real life routine difference of these 2 different formats……….

if the supposed to be a bit better Full frame noise routine is the only reason to upgrade to so-called fullframe , then , it is not worth the effort……………..

IMO, we better invest in computer program like Nic Define 2.0 or Nic sharpener than a silly huge brick like D3s or 1D4 (of course assuming we are not shooting silly low set alight sports).

Full frame is really over hyped , it is a just boom trendy thing in this film-to-digital transition period of photography description.

But as ancient film guys die out in a few being , then who cares about FF or APS-C?

Many of us who grew up with crop digitals do not care about 35mm acts as 35mm or 85mm acts like 85mm in the film time , but worried to lose our 200mm lens acting like 320mm or 300mm…………..so, for me crop factor is a plus not ninus effect on my photography.

and I believe most of those who are export into 35mm digital system , really do not even need it or really they better off shooting with a excellent crop like this 7D but they are brain washed by those moronic forums or reviews and obsessed with high ISO noise routine only and selfjustify to buy a so-called fullframe, which really is crop of MF.

it is even not a full frame , there are a couple of larger formats than it , and so why people call it fullframe?

in film time , as far as I remember , it was the second cheapest and smallest format of all.

and now , people use it like some kinda status trophie, as to look down an APS-C fan?

this is really ridiculous.

I wanted to test full frame, to really confirm if my previous thoughts on APS vs FF were all right, yeah they were all right.

Now, I know I will never want a full frame , I have a 5D2 since I can not sell it but it is the last FF camera for me , I estimate I will get a 7D mark2 or Pentax K7 and never ever reckon about FF.

The D3s noise advantage is coming from RAW NR and not the better sensor tech or design at all , the 5D2 has more banding than the 7D.

Only one fullframe may be worth it to me is the Sony A900 or 850 since it’s got In-camera-IS and real excellent low ISO IQ……………the 5D2 is not worth , I try to shoot it from 400 to 1600ISO only , never go up or down because it shows dreadful banding pattern noise at ISO100 in deep shadow pushed +2 EV or ISO3200 and up.

This kind of dreadful pattern noise , I never found in 7D files or Nikon D90 files.

And I am sure as tech gets better and better , many people want to go less vital rather than larger and Canon will go less vital not larger, this FF thing is a temporal transitional thing from film to digital.

I recently bought a Sony A 100 digital camera, with a 18mm to 70mm lens. Is the Sony HVL – F 36 AM the best sparkle for this camera? Or would you recommend another I should look at?
I want to get into taking wedding pictures after I get enough practice.

Answer by Paul R
the 36 is a wee bit low powered and only has bounce, not swivel on the head, you really want to go for the F56 instead.

Answer by Edwin
Buy the HVL-F42 AM sparkle unit. There is nothing worse than needing a feature and not having it. Better to have it and not need it.

Know better? Leave your own answer in the comments!

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